Until now, the law 96-04, which regulates the Senegalese press. State, journalists, technicians, media owners, lawyers, civil society and parliamentarians are now aware of the obsolescence of the text. It does not take into account all the concerns of journalists and news organizations generally..

Foot on top of one of the Breasts of Ouakam, the Monument of Renaissance feeds good milk of remembrance. A man, his wife and children reach out to posterity, feet firmly rooted in a history bearing the pain of their condition but is a wonderful opening to posterity, and a new world.

The General Delegation of the 3rd World Festival of Negro Arts is part of a dynamic decentralization of the event. To this end it has finalized Saturday labeling of some twenty festivals and cultural events taking place during this period.

Inscribed in the agenda of the 3rd World Festival of Negro Arts, Habib Koite and his band will perform in concert Bamada Dec. 16 in St. Louis.

Mauritanian refugees are all persons who, during the summer of 1986 and the aftermath of the events known as DOUNDE KHOR in 1989, were forced into exile in other countries. Mainly in Senegal and Mali, although others have found in Europe, the Americas and other parts of the world.

These state structures for refugees represent the spirit of the Geneva Convention on Refugees of 1951 and its Additional Protocol of 1976. In Africa, the OAU Convention of 1969 is no stranger to forms of care reserved for African refugees.

Beyond these considerations that emerge from the field of understanding the substantive rules which can easily escape, it should be noted that in our subregion, the case of Mauritanian refugees is not unique. There was first the problem of refugees from Guinea-Bissau overnight and during the war of national liberation. Refugees who were forced into exile in Senegal.

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